first remix single cut from latest eddie c album country city country . we invited two favorite new producers. one is italian edit master marvin&guy . after the big success of their record on let s get lost, they are into more original production. their remix is simply killer for dancefloor. brightest hope from australia tornado wallace reconstructed original of kraut rock oriented tune to excellent psychedelic slow mo house. it s for the fan of quiet village or andrew weatherall.

teng launched in 2012 with akrasounds vol.1 & 2 by label head nick woolfson under his akra guise. picking up support along the way from the likes of chicago damn, delano smith, will saul, 6th borough project and dj deep. this stands testament to the high quality and attention to detail instilled in the label from its initial movement. here the label steams in with more solid material to put it on the map with a phenomenal package from clone / rush hour artist neville watson, whos trippy, analogue, acidic house cuts have earned him a highly praised reputation within the underground.

bereits mit ihrem debüt fever to tell avancierten die yeah yeah yeahs vor zehn jahren zur neuen hoffnung der indie-rock-szene - insbesondere jener ihrer heimatstadt new york city. zwischen ihre mixtur aus rock n roll, post-punk und urbanem blues presste das trio um die charismatische performerin karen o einen großen brocken garagenrock und schuf so ein musikalisches konzept.

londons dogmatik label return with remixes of duskys massive flo jam ep. 4 remixes coming on 2 eps. part one comes with a heavy a side with eats everything under his mange tout alias remix flo jam, whilst the flip sees numerical getting the remix treatment from the extremely talented kris wadsworth!!! worthy remix ep on one of 2012 biggest club releases!

phuture shock musik have the special honour to present the latest release by bass music pioneer - colin lindo aka nubian mindz. a certified veteran in the game, with a sizeable back catalog that spans releases for seminal labels such as 2000black, delsin, rush hour, and archive, not to mention some groundbreaking efforts on 4heros trailblazing reinforced label where it all began for the producer under the moniker alpha omega.

miles has been releasing material on modern love for a decade, first as one half of pendle coven, then on his own as mlz, and eventually pairing up with sean canty to record as demdike stare. in between he has also pursued more experimental terrain under the suum cuique moniker, produced jungle for the hate project and (together with andy stott) taken on the occasional release as millie & andrea for modern love sublabel daphne. he is also an admired, exhilarating dj, his sets have been known to span a broad spectrum of electronic music, from the obscure uk techno of labels like radioactive lamb and irdial, to classic chicago house, detroit techno and - most importantly - early 90s jungle and breakbeat, feeding into his love of the most uncompromising end of the italian experimental movement, musique concrète, synthwave and contemporary noise.

demdike stare return to the lab with two extended new productions, inaugurating a series of untamed releases brought together under the testpressing banner. collision was recorded in late 2012 and is pretty much unlike anything you will have heard from demdike before, an intense high-frequency re-arrangement of jungle and noise, like a more brutal variant of the demdike-affiliated hate project, fed through a bank of analogue boxes and pedals, left to spin uncontrollably for 10 minutes before fading to black. misappropriation on the flip feeds off a different noise altogether, perched precariously between the mangled percussion you would most commonly associate with muslimgauze and the metallic clank of industry, a proper sunstroke riddim: angry and unforgiving.

soulmusik ist zeitlos heißt es, sie schafft es die höhen und tiefen des menschlichen gefühlshaushalts auszuloten und abzubilden, wie es kein anderes musikalisches genre kann. sie hat sich in den über 50 jahren ihres bestehens nur durch den technischen fortschritt der produktionsmöglichkeiten verändert. ihr ewiges thema, die freuden und leiden des alltags, änderten sich hingegen nie. warum auch? wer also bei al & the teenagers mit dem lästigen retro-begriff kommt, verkennt das genre soulmusik. das sich al & the teenagers dabei an der blütezeit der musik orientieren, ist nur folgerichtig

chicago legend jamal moss makes a return to sequencias with two tracks of overdriven angularity in his most jacking incarnation, the sun god. if you know jamal, then you are aware that no other artist has informed electronic rhythm-based music quite like he has. the current crop of raw, low-fi house and techno owes a large share of its existence to his releases under various monikers: hieroglyphic being, ibm, and as one half of africans with mainframes.

this is the first release under royal crown of sweden and features three original tracks with a remix by nik, j, and lori (also known as bookworms, steve summers, and lori napoleon).

lower east, the brainchild of cozzy d & lee brinx, returns with michael jansons brand new single *addiction*. following his debut release *i know you re feeling ok*, jansons returns with this slick new offering, stamping his authority as one to watch for 2013. title track *addiction* kicks off the proceedings and is deceptively ambient, before jansons drops in a pulsing bassline that rolls out under mizbees eerie yet classy original vocal.
*addiction* is given the remix treatment by none-other than detroit dub master marc mk kinchen. mk retains the deep, gritty and brooding elements of the original, adding his own trademark organ riffs. on the flip side *just us* deliver a more uplifting affair, with a precision bassline and chopped and cut vocal samples adding a touch of soul to give the record and overtly classic house feel.

the last time patrick vano appeared on mos ferry was a remix for jedi jet in the beginning of 2013. and the new year seems to be a changing point in his career. before that patrick released under his nickname peddy, which is - to be honest - no longer appropriate

after two searle eps, franco cangelli releases mowar 14 under his own name. the lost conversation ep is well balanced 4-tracker with plenty of warehouse energy and emotional content.

raw analogue alchemies delivered with all the sleek and polish of its black-on-black casing made bryan blacks edlx debut last year as blackasteroid a truly memorable one, consolidating all of the motor mans proven paisley park-honed engineering capabilities into a succinct and forward-facing ep. defined by its gritty textures, fizzy white noise manipulations and a signature mechanical hum throughout, black acid achieved a uniquely tactile sound quality, reaffirming bryan black as a formidable one to watch under his revised blackasteroid guise.

apartment starts off 2013 in party mode with our in-house disco mechanics bande apartment (tr one & new jackson) going to work on some super-rare and super-bad disco workouts, over extended and under cut for maximum dancefloor carnage.

the guys from audision are back with their next release in coloured vinyl! they produced chimes 1 for their live-set and it was much appreciated by the crowd. their new syntie roland jd 800 sounded crystal clear in their studio, but when they practiced for their live set in frankurt last year, all of a sudden it played a different sound … this was a magic moment which had to be recorded at once. the typcial audision device is: let the machines do the talking. and that is the also the story of chimes 2 *away* was the beatless track from their last years release up & away. so no one else but gez varley aka g-man created a dancefloor monster out of it. where can we start, when we talk about such a genius like gez varley. he was co-founder of the legendary lfo (warp records) duo. he wrote music history with his partner mark bell. under his solo project g-man, he released on labels like wir, i220, force inc or swim. *quo vadis* is still one of the most important all-time favourite techno tracks. last but not least a typical rough and deep house mix came out of christopher raus machines. the smallville member released on labels like, pampa, derive, aim, mule… and delivered a great track for this wonderful release. all in all - a must have!

with this fizzmint 12 inch vinyl-only release under his borealis pseudonym, jesse somfay (traum, archipel, ...) releases something completely different, yet so complementary, compared to his 2012 debut release on origami. on this track, with a total duration of 13 minutes, borealis pushes the envelope in his experiments of deeper techno infused with darker multi-layered ambient reaching the sweet spot to the perfect soundtrack of a pumping and flowing heart-themed release on dandelion lotus sub-series anatomy. on the flip side of this first anatomy series release is a remix by lakker (hailed & played by blawan, aphex twin, autechre,...). limited vinyl-only edition, with artwork by alex konahin. we dont really need to say more, dont we?

2013 is the year of milestones for the ever understated and under the radar boe recordings the label for those that know. this year the imprint turns a grand 5 years old and celebrates a 20th release in the form of boe xx, a limited 12inch coming on commemorative marbled vinyl only.

mus is proud to annouce its latest release. mass prod and lifes track join forces for a brand new project and this uptempo shot. mass prod already known on this label has taken under his swing two young guys from florence called herve and marco d aquino aka lifes track. a side is a 45 rpm of 909 drums: distorded, filtered and slammed on tape.... the vinyl contains three tracks called: warlus, this is knobold, dead warlus

kris wadsworth released his debut album life & death on get physical music last fall to much acclaim. the released marked a milestone in the artists career, pushing him under the spotlight, and into the welcoming arms of new fans.

sexy deep remixes from dj jus-ed, boo williams, ron deacon, rick wade

starting out in 2001 as a mere compilation series to tie up some loose ends from our regulars, speicher has since become a guarantee for vanguard dance sounds from all over the planet, allowing kompakt to invite and support electronic artists that comfortably inhabit both the delicate and the more deliberate ends of the electronic music spectrum. for speicher 74, best buddies rainer weichhold and namito unite under new monicker hick hack to bring you two utterly compelling cuts sure to beef up even the most demanding dj set.

theo parrish, kai alce, and larry heard, under his loosefingers guise, all on the one ep... ltd 2013 repress

kicking off a big year for apple pips with something tasty and different from komon & appleblim! having worked together on remixes for respected labels like ninja tune & aus, appleblim & komonazmuk (now going under the name komon for his house/bass productions) started jamming in the studio on some original material. messing with boundaries and having fun was the order of the day, and what we have here are two of the first results… ’gas jam’ is a bassline-led roller with a nod to both classic uk garage & the futuristic house & techno vibes of uk bass music. getting dropped on rinse fm on both the marcus nasty & hypercolour shows, & with eats everything & carl craig supporting it already you can hear why it appeals to open minded and diverse djs.. ’silencio’ shimmers and shines on a glooped-out balearic/kosmiche beat, an 80s soul soundsystem bassline funks on through and leads you into a woozy blissed out climax…slo-mo house/bass balearic bizniss… with more collabs with appleblim to follow this year, his new productions getting props from all angles, & releases lined up on hypercolour, komon’s year is shaping up nicely!

enigmatic artists from eastern europe had a ace in their sleeve when they came out with the project of suburbs. they come up with the most mystical sound for their first ep on archipel under “plaeisii.” the strange classical texture swirl with a very lush rhythm that at first, appear to be extremely predictable but then, as you listen carefully, you get caught up on the most capturing pattern. the main song as well as amorf both are music for the soul and will be played in very special moment that will have people close their eyes to enjoy the shifting mood.

the efunk effect continues to echo across the universe as soul claps mantra everybodys freaky under natures kingdom summons the egyptian lover himself, who revisits the alezby inn to deliver his own spin on the soul clap cover of his classic electro funk jam.

following his bomb booty jazz ep released under the jupiter jazz moniker alongside label boss maceo plex, miamis finest danny daze goes solo to release the calm – two original cuts of deep dark house with a stellar remix from dutch producer dexter.

scan mode and alvaro sanchez, two well-known and talented spanish djs, come together to run the so-called raw rootz alliance, which is also a new record label.under this name, they produce house music on the basis of sounds from the legendary roland tr-808 and tr-909 drum machines

after the massive success of ut015 undertones kcik off 2013 with another killer ep from nathaniel x this time under his vil-nx guise alongside long term production partner mr vil. as before they will be limited pressing on 180 gram vinyl and comes in a high quality printed sleeve

melbourne deepcast return with a killer various artist ep featuring some of their mates. another superb ep from down under.

stunning 10 inch / 7 inch doublepack from the mira camp feat. a vatican shadow remix... full colour, stickered picture sleeve designed by silent servant aka juan mendez the third release on avians sister label mira unveils a new project from shifted under the name covered in sand, an alias set up to explore more extreme sonic territory.

one more heavy hitter on credo, and this time we could even say two tracks that form an ep as strond as the so far most sold credo-release from 2007 - bullet in your heart. the name tells already some connection to australia and indeed the basic idea came up during alex tour down under in fall 2012 where he played three cities within three days and a total of 9h playtime for which he travelled 64h in total. sydney acid is the main track of the ep, no doubt and hard to describe. it is a pure, driven technotrack with a fierce, no blubby, but very powerful acid bassline aiming at riots on the dancefloor. melbourne dub tells exactly what the track is all about and by the way featuring the sound of the local traffic lights that made alex thinking about creating some tracks related to it.

the weird house music composers from brazil strike again with four slices of spaced-out dance floor sounds. psychedelic is just one of the adjectives that come to mind when hearing brazilian duo colors sound system. on their first single for lovemonk, sao paolo brothers jota wagner and wander a, who call themselves weird house music composers, continue on the path to a higher state of consciousness with four slices of mind-altering disco and house splashed with spacemen 3-like vocals and seventies prog guitars and organs. just listen to the almost eleven minutes of *ar* if you dont believe. or *1974*. or *poeira lunar*, for that matter. the beatless title track is the only one staying under the seven-minute limit, and it is also the last track on the ep, like a much-needed comedown. space is the place, as the great sun ra said.

island rescue marks the first release from san franciscos dan judd under his sorcerer alias in three years. with this release on new diskotopia sub-label a kind of presence, sorcerer fuses his trademark californian balearic sound with influences gleaned from 70s afro-funk tapes for three new original tracks, backed up by myakkah and greeen linez remixes. strong support has been coming in for the release from the wire (who have played tracks from the release on their rewired radio show), spin magazine (who featured an exclusive stream of the release with a feature), jon tye, gold panda, magic touch, the beat broker, ben cook (fucked up, yacht club) and many more.

in the realm of electronic music australia isnt down under anymore but rather up there: so many fresh new producers pop up now and bell towers - aka melbourne resident roman wafers and one half of the bamboo musik dj team - proves himself one of the most promising ambassadors with his debut on internasjonal.

third sides infamous *shit on me*, taken from their first full-length release, *unified fields* is given a four-pronged remix ante up by some of technos more illustrious figures. virginia is back on duty with a fierce and hypnotic twist of jagged percussion and echoing sample blends, transforming the original into an obscure and minimalistic techno voyage, whereas morphosis injects his peerless swamp of sonic oddity under his ra.h moniker – reducing the original into a truly experimental six minutes of chilling effects, echoing percussion and irregular drum bursts…a true hardware show. on the flipside, marco shuttle tears up the beat into a twisting, bass-morphing machine stomp, replacing the originals drums and hi-hats with a mesmerizing cascade of sharp vocals and flickering note-repeats. finally, the elusive techno excursionists, xenogears give the original an ominous industrial edge, where harsh drum machine distortions meet long, dreary pads and cavernous vocal shots of the finest analogue calibre. techno restoration is back with a vengeance.

if you ask the canadian producer and dj edward currelly aka eddie c to name you some things he havent done yet but always wanted he answers: visit greenland. Êsell 45s off the back of my motorcycle in jamaica. those who know the music of the former countryman that left the canadian nature to get inspired by the lively culture jungle of berlin get a winking smile on their lips.

fluxus is danny scrillas first transmission for civil music and the munich based producers second release. following on from 2012s flash powder ep for om units cosmic bridge label, *fluxus* sees scrilla in expected fine form, and takes in four original neck snapping instrumental tracks plus two remixes from japans deep medi member goth-trad and london producer and one to watch deft. on fluxus scrillas productions run at 80-90bpm / 160-180 bpm exploiting slowfast halftime tempos yet are seemingly engineered from the sonic essence of 06 og dubsteps dark sparse dreadnought sounds, with waves of quaking bass growing under iced-out percussion accentuated by toiling snares. floating chords and hypnotic melodies drive skeletal riddims, sci-fi synthlines arc over the spacious heavyweight ruffage built for towering stacks and pitch black rooms.

the a-side of avida002 was created by the romanian producer mihai popoviciu. with his reformulation of *whispering* he succeeds in forging a keen and dynamic tech-house remix, not lacking of deepness, under the temperament of sonorous drumrolls. he artfully bridges past the original mix and hones an overall dancefloor-tailored release, which must not pass by house-lovers.

this winter tresor dons hardhat and flashlight once again to exhume more lost treasures from its stated past. under the guise of its own 10-year dormant archiv series-which saw cuts from the likes of robert hood, jeff mills, blake baxter and eddie flashin fowlkes brought back to wax and dancefloors worldwide-comes a reissue ep straight from the heart of the clubs former wertheim department store days, courtesy of long-time resident juan atkins.
pressing on clear / translucent vinyl.

quality limited reissue of this classic lp from californian singer/songwriter, ned doheny. though beloved of the recent balearic scene with fans including harvey, lexx, moonboots et al, ned was under-appreciated during his own era with this superlative lp only ever securing a vinyl release in japan, making it a seriously hard to get hold of album but definitely worth the effort. following on from his iconic hard candy lp, 1979 s prone is again bursting with californian sun-soaked gems showcasing doheny s signature laidback funky musical style and relaxed unpolished vocals. from quality soulful groovers such as think like a lover and if you only knew through to the sophisticated disco sounds of sweet friction and funky love , there s not a filler in sight but the icing on this tasty west coast cake has got to be dj s favourite - the great jazz-funk floor-filler to prove my love . an essential album - don t miss!

with releases under a range of pseudonyms (orpheus, sir leon greg, nite vision) and support for his previous explorations of depth coming from the likes of john heckle, dj deep, aroy dee, chicago skyway and steffi to name but a few, once again perseus traxx unashamedly shows his nature on this release. thoughts, feelings and emotions are by far the most important influences on music, and capturing moments then translating into a musical form he once again documents the more personal elements of his life, taking you deep. perseus weaves a rich tapestry of emotions and desires using heavily weighted bass tones and skipping percussion that thread together with expansive strings and pads. these are married with more detailed melodies and modulated tones that shimmer in and out of the psyche as he uses analogue boxes and their warmth like a loom. this collection of music ranges from the deep and dreamy, to total transcendence within steady dance floor rhythms clothed in a warm yet spacious fabric of sound. deep house, sometimes with a real sense of urgency that juxtaposes with it is inherent flights of fancy.

nice price deal !!! every once in a while a particular record will land in our laps which we have very little information on but usually somebody will unearth its origins after a bit of homework and more often than not it turns out to be a relatively well-known producer operating under a new and secret pseudonym. what we are looking at here however, seems to be quite the enigma. one can only speculate as to who watkins & almadovar might be.

here on part 4 we have the rather wonderful isolée remix of manuel turs most of this moment, switch in his finest hour with get on downz and jimpster under his audiomontage guise with the little known but highly revered track the darkness

acid house legend justin robertson returns to the gomma label under his ‘the deadstock 33s moniker with a superb new single featuring remixes from ewan pearson & disco bloodbath..

white rabbit recordings presents the complete giovanni damico trilogy combined in one nice pack for the vinyl lovers. funky and deep house grooves.

born and raised in the kalakuta republic and having witnessed music from the four corners of the world, the kalakuta soul system has put up its own and long overdue music label to reach out with inspiring gems they had held secret for a long time. bringing finely selected releases from the most respected producers and djs, the kalakuta soul system meticulously discusses the content of each and every tracklist leaving the headquarter of their kalakuta republic. the first release on kalakuta soul records comes from the elementary spine of the kalakuta soul system that goes under the name cuttlefish & asparagus, a vital combination of vinyl collectors and meticulous sound engineers that have worked for almost 20 years on inspiring cuts and rough jams. all tracks are produced with a single aluminum fork and a ceramic pasta dish.

oneoffs is a new sub label under the ever growing local talk umbrella. with oneoffs we have a clear vision to deliver not only one house style but to be very open minded within the whole spectrum of 4/4 rhythms. it is all about being musically curious, free and looking at house music with both retro, current and futuristic specs. so basically dont expect anything, our aim is to surprise you! the first release has three different producers from sweden, ireland and spain showcasing three different styles of house.

upon the first listen, the work of fernando unfolds directly on your brain and leaves a long lasting feeling of drama. fernando pulichino is one those lucky guys who can pick up any instrument and write songs without breaking a sweat. he first caught my attention with a remake of the bauhaus classic kick in the eye released on redux in 2008. he then backed up this great start with releases and remixes for labels like international feel, under the shade, internasjonal and nang. he also very busy touring as part of the 2020 soundsystem band and he is also in silver city with julian sanza.
we decided to put together a long player to highlight the talents of our man in buenos aires. the construction of *float* reveals an astonishing wealth of musical ideas, brazen touches of new wave and icy modern disco sounds are evident throughout. low slung basses are also a theme that runs right through *float* whether it is the opening song *a place* which has a monster electronic bottom end or *from out there* which sits firmly on the punk funk dinner table, bass lines are clearly important to fernando.